"...There are four kinds of people in this world: cretins, fools, morons, and lunatics."
"And that covers everybody?"
"Oh, yes, including us. Or at least me. If you take a good look, everybody fits into one of these categories. Each of us is sometimes a cretin, a fool, a moron, or a lunatic. A normal person is just a reasonable mix of these components, these four ideal types."
Foucault's Pendulum
Umberto Eco
Saturday, May 15, 2004
Wednesday, May 12, 2004
STANLEY: Your looks are okay.
STELLA: I was fishing for a compliment, Stanley.
STANLEY: I don't go in for that stuff.
STELLA: What--stuff?
STANLEY: Compliments to women about their looks. I never met a woman that didn't know if she was good-looking or not without being told, and some of them give themselves credit for more than they've got. I once went out with a doll who said to me, "I am the glamorous type, I am the glamorous type!" I said, "So what?"
-A Streetcar Named Desire, Tennessee Williams
STELLA: I was fishing for a compliment, Stanley.
STANLEY: I don't go in for that stuff.
STELLA: What--stuff?
STANLEY: Compliments to women about their looks. I never met a woman that didn't know if she was good-looking or not without being told, and some of them give themselves credit for more than they've got. I once went out with a doll who said to me, "I am the glamorous type, I am the glamorous type!" I said, "So what?"
-A Streetcar Named Desire, Tennessee Williams
..And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion or government which limits or destroys the individual.
--John Steinbeck, East of Eden
--John Steinbeck, East of Eden
"Why? Why does what was beautiful suddenly shatter in hindsight because it concealed dark truths? Why does the memory of years of happy marriage turn to gall when our partner is revealed to have had a lover all those years? Because such a situation makes it impossible to be happy? But we were happy! Sometimes the memory of happiness cannot stay true because it ended unhappily. Because happiness is only real if it lasts forever? Because things always end painfully if they contained pain, conscious or unconscious, all along? But what is unconscious, unrecognized pain?"
-The Reader, Bernhard Schlink
-The Reader, Bernhard Schlink
Monday, May 10, 2004
“Love, desire, and need get all confused and they fight and switch clothes just to fuck with me. But all three burn and ache and when mixed are this dangerous chemical compound that releases poisonous gases from my eyes, clouds of readable smoke, inscribed with all my naked wishes and poetry. And these are the times I want to close my eyes to the world, and these are the times that they are so wide open I scarcely take the time to blink, usually racing from one club, one bed, to another. Love is what makes me keep writing and trying and doing it over and over until I get it right.”
-Thea Hillman, from Depending on the Light
-Thea Hillman, from Depending on the Light
“I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger than reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn’t impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
-Anais Nin, Oct. 27, 19333, from Incest
-Anais Nin, Oct. 27, 19333, from Incest
Tuesday, April 27, 2004
"Everyone has a moment in his history which belongs particularly to him. It is the moment when his emotions achieve their most powerful sway over him, and afterward when you say to this person 'the world today' or 'life' or 'reality' he will assume you mean this moment, even if it is fifty years past. The world, through his unleashed emotions, imprinted itself upon him, and he carries the stamp of that passing moment forever."-John Knowles, A Separate Peace
“I dreamt that I had learned a way of saving time I didn’t want to spend, and having it to spend when I needed it. Like the time you spend waiting in a doctor’s office, or coming back from someplace you didn’t enjoy going to, or waiting for a bus-- all the little useless spaces. Well, it was a matter of taking them and folding them up, like broken boxes, so that they took up less room. It was really an easy trick, once you knew you could do it. Nobody seemed surprised when I told them I’d learned how; Mother just nodded and
smiled, you know, as though of course everybody learns at a certain age how to do these things. Just break it along the seams; be careful not to lose any; fold it flat.”
John Crowley
Little, Big
smiled, you know, as though of course everybody learns at a certain age how to do these things. Just break it along the seams; be careful not to lose any; fold it flat.”
John Crowley
Little, Big
"America is the wealthiest nation on Earth, but it's people are mainly poor, and poor Americans are urged to hate themselves.... It is in fact a crime for an american to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by American poor. They mock themselves and glorify their betters.
Kurt Vonnegut "Slaughterhouse Five"
Kurt Vonnegut "Slaughterhouse Five"
"When I opened my eyes, the window across from us was dark red and I coudl feel that there was not much time left. Outside, the world I had watched for so long was living and breathing on the same earth I now was. But I knew I would not go out. I had taken this time to fall in love instead-- in love with the sort of helplessness I had not felt in death -- the helplessness of being alive, the dark bright pity of being human -- feelingas you went, groping in corners and opening your arms to light-- all it part of navigating the unknown." -The Lovely Bones Alice Sebold
Excerpt from "'Jiving' with Your Teen," by Seaton Smith
"Anyone who has observed the youths of American knows they frequently take liberties with the English language in order to flaunt their illiteracy and impress the opposite sex. As a parent, it is vital that you understand their vocabulary - like a cheetah, your teen can sense your confusion and fear. When you master thein vocabulary you can finally tell them, in their own language, that the police at the front door are for them.
Here are a few mandatory words and phrases to use when speaking to your teen:
Dope - A slang word that refers to every teenager's horrific need to associate what he or she considers 'good' with deadly narcotics. When this phrase is uttered, do not panic. Simply reply with: 'Yeah, dog, I got the stash up my cavity.'
It's all good - A shortened term from its original version, 'It's all good when you're employing illegal narcotics and eganing in immoral sexual activity.' Your teen doesn't mean that everything in the world is 'good.' He or she means that everything in the poverty-stricken inner-city ghetto is 'good.'
Cool - One of the most enduring slang terms in American culture. The word "Cool" has seen many forms. As a youth, you probably used the term sensibly: 'Hot dog! It's cool outside, Mabel.' Your teenager uses it in a different context:
'That's Cool.'
Translation: Marijuana is being smoked.
'That is so Cool.'
Translation: A lot of marijuana is being smoked.
'Not Cool.'
Translation: The dog is being smoked."
"Anyone who has observed the youths of American knows they frequently take liberties with the English language in order to flaunt their illiteracy and impress the opposite sex. As a parent, it is vital that you understand their vocabulary - like a cheetah, your teen can sense your confusion and fear. When you master thein vocabulary you can finally tell them, in their own language, that the police at the front door are for them.
Here are a few mandatory words and phrases to use when speaking to your teen:
Dope - A slang word that refers to every teenager's horrific need to associate what he or she considers 'good' with deadly narcotics. When this phrase is uttered, do not panic. Simply reply with: 'Yeah, dog, I got the stash up my cavity.'
It's all good - A shortened term from its original version, 'It's all good when you're employing illegal narcotics and eganing in immoral sexual activity.' Your teen doesn't mean that everything in the world is 'good.' He or she means that everything in the poverty-stricken inner-city ghetto is 'good.'
Cool - One of the most enduring slang terms in American culture. The word "Cool" has seen many forms. As a youth, you probably used the term sensibly: 'Hot dog! It's cool outside, Mabel.' Your teenager uses it in a different context:
'That's Cool.'
Translation: Marijuana is being smoked.
'That is so Cool.'
Translation: A lot of marijuana is being smoked.
'Not Cool.'
Translation: The dog is being smoked."
from The Alchemist by Paulo Coelho
translated by Alan B. Clarke
That was what made traveling appeal to [the shepherd boy]--he always made new friends, and he didn't need to spend all of his time with them. When someone sees the same people every day, as had happened with him at the seminary, they wind up becoming a part of that person's life. And then they want the person to change. If someone isn't what others want them to be, the others become angry. Everyone seems to have a clear idea of how other people should lead their lives, but none about his or her own.
translated by Alan B. Clarke
That was what made traveling appeal to [the shepherd boy]--he always made new friends, and he didn't need to spend all of his time with them. When someone sees the same people every day, as had happened with him at the seminary, they wind up becoming a part of that person's life. And then they want the person to change. If someone isn't what others want them to be, the others become angry. Everyone seems to have a clear idea of how other people should lead their lives, but none about his or her own.
Wednesday, April 21, 2004
"He had this weird thing where he would look at the stars, and imagine they were the lights of a city, and think about what kinds of people would live there. It's like he knew he couldn't understand the stars.
..."I think he wanted people to look at them like he looked at the stars, and think about what kind of person would live in that body."
-From My Loose Thread, by Dennis Cooper
..."I think he wanted people to look at them like he looked at the stars, and think about what kind of person would live in that body."
-From My Loose Thread, by Dennis Cooper
I tried finding solace looking at the squirrels in the front yard. . . -- and then I got to thinking about how short their lives are -- so short that their dreams can only possibly be a full mirroring of their waking lives. So I guess for a squirrel, being awake and being asleep are the same thing. Maybe when you die young it's like that too.
Douglas Coupland's Hey Nostradamus!
Douglas Coupland's Hey Nostradamus!
And when the hourglass has run out, the hourglass of temporality, when the noise of secular life has grown silent and its restless or ineffectual activism has come to an end, when everything around you is still, as it is in eternity, then--whether you were man or woman, rich or poor, dependent or independent, fortunate or unfortunate, whether you ranked with royalty and wore a glittering crown or in humble obscurity bore the toil and heat of the day, whether your name will be remembered as long as the world stands and consequently as long as it stood or you are nameless and run nameless in the innumerable multitude, whether the magnificence encompassing you surpassed all human description or the most severe and ignominious human judgment befell you--eternity asks you and every individual in these millions and millions about only one thing: whether you have lived in despair or not, whether you have despaired in such a way that you did not realize that you were in despair, or in such a way that you covertly carried this sickness inside of you as your gnawing secret, as a fruit of sinful love under your heart, or in such a way that you, a terror to others, raged in despair. And if so, if you have lived in despair, then, regardless of whatever else you won or lost, everything is lost for you, eternity does not acknowledge you, it never knew you--or, still more terrible, it knows you as you are known and it binds you to yourself in despair.
These words are Soren Kierkegaard, from "The Sickness Unto Death."
These words are Soren Kierkegaard, from "The Sickness Unto Death."
Friday, April 16, 2004
She strolled between shelves, looking at titles, smiling as she met old friends-books she had read three times or five times or a dozen. Just a title, or an author's name, would be enough to summon up happy images. Strange creatures like phoenixes and psammeads, moving under smoky London daylight of a hundred years before, in company with groups of bemused children; starships and new worlds and the limitless vistas of interstellar night, outer space challenged but never conquered; princesses in silver and golden dresses, princes and heroes carrying swords like sharpened lines of lights, monsters rising out of weedy twarns, wild creatures that talked and tricked once another...
I used to think the world would be like that when I got older. Wonderful all the time, exciting, happy. Instead of the way it is...
So you want to be a Wizard, Diane Duane
I used to think the world would be like that when I got older. Wonderful all the time, exciting, happy. Instead of the way it is...
So you want to be a Wizard, Diane Duane
The photo has been cut; a third of it has been cut off. In the lower left corner there's a hand, scissored off at the wrist, resting on the grass. It's the hand of the other one, the one who is always in the picture whether seen or not. The hand that will set things down.
How could I have been so ignorant? she thinks. So stupid, so unseeing, so given over to carelessness. But without such ignorance, such carelessness, how could we live? If you knew what was going to happen, if you knew everything that was going to happen next--if you knew in advance the consequences of your own actions--you'd be doomed. You'd be as ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
Drowned now--the tree as well, the sky, the wind, the clouds. All she has left is the picture. Also the story of it.
The picture is of happiness, the story not. Happiness is a garden walled with glass: there's no way in or out. In Paradise there are no stories, because there are no journeys. It's loss and regret and misery and yearning that drive the story forward, along its twisted road.
--Margaret Atwood, "The Blind Assassin"
How could I have been so ignorant? she thinks. So stupid, so unseeing, so given over to carelessness. But without such ignorance, such carelessness, how could we live? If you knew what was going to happen, if you knew everything that was going to happen next--if you knew in advance the consequences of your own actions--you'd be doomed. You'd be as ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
Drowned now--the tree as well, the sky, the wind, the clouds. All she has left is the picture. Also the story of it.
The picture is of happiness, the story not. Happiness is a garden walled with glass: there's no way in or out. In Paradise there are no stories, because there are no journeys. It's loss and regret and misery and yearning that drive the story forward, along its twisted road.
--Margaret Atwood, "The Blind Assassin"
William Faulkner-As I Lay Dying
"He had a word, too. Love, he called it. But I had been used to words for a long time. I knew that that word was like the others: just a shape to fill a lack; that when the right time came, you wouldn't need a word for that anymore than for pride or fear."
"...I would think how words go straight up in a thin line, quick and harmless, and how terribly doing goes along the earth, clinging to it, so that after a while the two lines are too far apart for the same person to straddle from one to the other; and that sin and love and fear are just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forget the words."
"He had a word, too. Love, he called it. But I had been used to words for a long time. I knew that that word was like the others: just a shape to fill a lack; that when the right time came, you wouldn't need a word for that anymore than for pride or fear."
"...I would think how words go straight up in a thin line, quick and harmless, and how terribly doing goes along the earth, clinging to it, so that after a while the two lines are too far apart for the same person to straddle from one to the other; and that sin and love and fear are just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forget the words."
"Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am more preoccupied with loving."
--Anais Nin, Henry and June.
--Anais Nin, Henry and June.
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